& Juliet Tony Howell & Co. & Juliet Tony Howell & Co.

“Exceptionally well cast… serves up some comic relief

Broadway World

“This musical is exceptionally well cast. Kellogg and Eldred's Anne and Will have great chemistry; Paul Jordan Janson (as Lance) and Allison's Angélique serve up some comic relief; and Ochoa's May and Noah Marlowe (as François) feel earnest and authentic. Torres is hilarious as the slightly daft playboy, Romeo. The cast's overall experience results in a highly polished spectacle. Given the experience of most of the core cast, at first glance it is perhaps surprising that the star of & Juliet is Caraballo Quijada in the title role. Although this is her national tour debut, Caraballo Quijada is a three-time Jimmy Award nominee and the winner of the 2025 Jimmy for Best Actress. Her vocal talent, dance skills, acting ability, energy, and overall commitment to the role is impressive. Based on this performance, I suspect she will be a rising star on Broadway.

-Courtney Castelino

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& Juliet K Allison & Juliet K Allison

“Phenomenal vocal performance… a deep register that’s impressive and delightful”

Stage Raw

“…there are some phenomenal vocal performances. Of particular note are Rachel Webb and Kathryn Allison. Webb’s vocal performance is controlled, powerful, and rich, and she tackles a multitude of pop styles with grace and dexterity. Allison shows off a deep register that’s impressive and delightful to listen to. Paul-Jordan Jansen also deserves recognition, as he seems to enjoy every lyric and dance, and line spoken in a French accent. In fact, it felt like he was the only performer having fun.”

-Asa Fris

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& Juliet K Allison & Juliet K Allison

“Fleshes out the role… more than just saucy”

Los Angeles Daily News

“There are notable pairings among some of the secondary characters. K Allison fleshes out the role of Angelique, Juliet’s nurse, to be more than just saucy and her protective solicitousness to Juliet’s needs feels very felt.”

-Christopher Smith

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& Juliet Tony Howell & Co. & Juliet Tony Howell & Co.

“Phenomenal… show-stopping solo”

Broadway World

"“The cast is phenomenal. Rachel Webb brings both a powerhouse vocal performance and emotional depth to Juliet. I never imagined I would be brought to tears by ‘Baby One More Time.; Nick Drake (May) and Kathryn Allison (Angelique) also deliver show-stopping solos, while Corey Mach brings perfect comedic timing to a self-obsessed Shakespeare who has much to learn about love and women. The night's performance was also a testament to the unsung heroes of theater – the understudies and swings. Nicole Lamb stepped in as Anne with both poignancy and humor, while Josh Jordan charmed as Romeo.”

-Krista Garver

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& Juliet Tony Howell & Co. & Juliet Tony Howell & Co.

“Contagious… leaving the audience wrapped in palpable joy and love”

Philadelphia Inquirer

“The pop diva continued, undeterred, soaring vocally and physically in impressive aerial stunts. All around her, love strikes like it’s contagious: Her nurse (Kathryn Allison) reignites an old flame (Paul-Jordan Jansen), and her nonbinary best friend May (Nick Drake) sees sparks fly with the shy François (Mateus Leite Cardoso)…

If the goal was to get folks dancing along, the production succeeded in its finale. Everyone around me jumped to their feet for Justin Timberlake’s ‘Can’t Stop the Feeling!’ Juliet survived, thankfully no longer constrained by tragedy (or technical difficulties), leaving the audience wrapped in palpable joy and love.”

-Rosa Cartagena

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& Juliet K Allison & Juliet K Allison

“Spirt and skill…phenomenal”

Broadway World

“There is a great well of music to draw from — and the talented cast delivers them with spirit and skill. The exceptional cast and witty book make this show very fun, but — as is often the case with jukebox musicals —it gets bogged down by having to shoehorn in and cater to so many songs. It’s a very well-executed production built on a shaky musical premise…

Juliet’s squad also includes her nurse Angelique (Kathryn Allison) and bestie May (Nick Drake), both of whom are phenomenal.”

-Andria Tieman

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& Juliet K Allison & Juliet K Allison

“A unique blend of hilarity and compassion… a captivating presence”

Broadway World

“As Angélique, Juliet’s Nurse, K Allison brings a unique blend of hilarity and compassion to the role, taking a previously one-dimensional character and fleshing her out to be a captivating presence.”

-Rachael F. Goldberg

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Company Tony Howell & Co. Company Tony Howell & Co.

“Flat-out hilarious… dominated”

The 2021Broadway revival – which swapped the lead performer’s gender from male to female – won five more Tonys, including one for Best Revival of a Musical…it is lyric-heavy with some tricky music, but everyone handles it very well.

“Some of the vignettes are flat-out hilarious. The first features Sarah (Kathryn Allison) and Larry (Derrick Davis). Sarah’s very controlling, correcting just about everything Larry has to say. Larry has a drinking problem, while Sarah must marshal her willpower to avoid eating the brownie she offers to Bobbie. Their scene is dominated by Sarah demonstrating her jiu jitsu skills on Larry.”

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Company Tony Howell & Co. Company Tony Howell & Co.

“The memorable K Allison… physical comedy is top notch”

-WBUR

“The memorable K Allison portrays a hilarious Sarah. In her first full scene, Allison’s Sarah is clad in exercise gear showing off her commitment to fitness by kicking and stretching all over the living room. Allison’s physical comedy is top notch. She and her husband Harry (understudy Christopher DeAngelis on the day I attended), are abstaining — Sarah doesn’t eat sweets and Harry doesn’t drink. At least that’s what they’re trying to do, but when Bobbie shows up with bourbon and brownies, it drives them mad. Their abstention felt more like a nod to the existential restraint some might associate with adulting and partnership. But amid all the conversation about holding back, Sarah and Harry show some passion for one another.”

-Jacquinn Sinclair

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Company K Allison Company K Allison

“Delightfully inhabited… good on Broadway but even better on tour”

The Washington Post

'“The gender-swapped ‘Company’ was good on Broadway but even better on tour…

One couple, delightfully inhabited by K Allison and James Earl Jones II, presents marriage as gateway to middle-aged malaise as both spouses give up their vices, cycle through new hobbies and prod at each other’s insecurities.”

-Thomas Floyd

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Company Tony Howell & Co. Company Tony Howell & Co.

“Standout… hilarious comedy sets the tone for the rest of the show”

-Click On Detroit

“But COMPANY is an ensemble show, with most of the cast on stage for much of it. Standouts include Kathryn Allison and James Earl Jones II as couple Sarah and Harry, whose hilarious physical comedy sets the tone for the rest of the show.”

-Carmichael Cruz

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Brat Pack Tony Howell & Co. Brat Pack Tony Howell & Co.

“Timeless style and energy… a raucous, roaring, ring-a-ding evening”

Broadway World

“Sam Gravitte, Kathryn Allison, Luke Hawkins & Jelani Remy Star In BRAT PACK At Birdland Jazz. They recreated the timeless style and energy of the original Rat Pack with a raucous, roaring, ring-a-ding evening of show tunes, standards and tight harmonies.”

-A.A. Cristi

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Brat Pack K Allison Brat Pack K Allison

“Top-notch Broadway… powerhouse voice and full-out emotion”

DC Theater Arts

“On Monday evening, The Brat Pack – an all-new act starring top-notch Broadway talents Kathryn Allison (Aladdin; Wicked; Company), Sam Gravitte (Wicked), Luke Hawkins (Xanadu; Harry Connick, Jr.- A Celebration of Cole Porter), and Jelani Remy (The Lion King; Ain’t Too Proud; Off-Broadway’s Smokey Joe’s Cafe) – made its debut at Birdland with a fabulous one-night-only concert of vintage showtunes, standards, and stylings inspired by the legendary group of 1960s A-list entertainers and friends known as The Rat Pack.

Conceived by Remy and Gravitte, presented by group5productions, and accompanied by a six-piece band led by their masterful musical director, arranger, and orchestrator Isaac Hayward, the show featured sensational solos, duets, trios, and group numbers, exhilarating segments of tap dancing, personal reflections and witty repartee, and a spirit of camaraderie among them and with their extremely appreciative first-ever audience (who, of course, wouldn’t let them leave without an encore)…

Allison brought her powerhouse voice and full-out emotion to ‘Cry Me A River’ (adding her own touches of humor into the mid-century torch song), followed by a flirtatious duet with Gravitte on ‘It Takes Two’ from Into the Woods, and a new jazz arrangement of ‘Aquarius’ from Hair, with backing vocals by the men.”

-Deb Miller

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